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Traditional oil painting techniques often without charcoal or thinned colors on the canvas, the artist will start with the issue of etching. [http://www.goodoilpaintings.com/Reproduction/sub2/Reproduction-Oil-Paintings-Abstract-118.htm oil painting of abstract] Oil paint is usually faster or slower drying paint to create a thin layer of linseed oil, artist grade mineral spirits or other solvents are mixed. SOLVENTS a thin layer of oil paint because of this, they can be used to clean paint brushes. [http://www.goodoilpaintings.com/Reproduction/sub2/Reproduction-Oil-Paintings-Abstract-118.htm abstract painting] The basic rule of oil paint application is 'fat over lean' is. The color of each additional layer to the lower layer of oil to the proper means of drying. Each additional layer contains less oil, the final painting will crack and peel. Cold wax, resins and varnishes behind the use of other media, including oil painting, as well. The additional media, color, color, sheen, density or 'body' hold or conceal the brushstroke of color and translucency to match the color of the ability to help the artist. The ability to clarify that these variables are closely related to oil painting.
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Traditionally, the color of the painting surface using paint brushes, transferred, but there are other methods of using palette knives and rags. Oil color, color, design or film form, artists are able to change the artist, left many of the more humid. At the time, there may be a painter to paint the entire layer from the re-start. PAINT wet rag and some Turpentine can be done in this particular time, but a little later, a thick layer must be scraped. Oil paint dries by oxidation, not evaporation, and is usually dry to the touch during the two weeks. It is generally dry enough to be varnished in six months to a year. It was not until the 60 to 80-year-old art conservators consider an oil painting completely dry.
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Traditional artists' canvas is made from linen, but less expensive cotton fabric has gained popularity. Artist of the "stretcher" or "strainer", a wooden frame ready. The difference between the first and the second during the strainers are rigid and lack adjustable corner notches stretchers, some adjustment is. Or the trailing edge of the timber industry's top pulled tightly tacked canvas is stapled. Then, artist canvas color to distinguish it from the acidic nature of a "size" applies. Traditionally, the canvas, sometimes with added chalk, animal glue (size), a layer of coating (modern painters will use rabbit skin glue) and was a major source of white paint. Plates with a gesso, a mixture of glue and chalk, indulge.
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Modern acrylic "gesso" is made of titanium dioxide with an acrylic binder. The real gesso is not suitable for that application, but in general, the canvas is used. Each artist has dried, smooth sanding, gesso applied in several layers. Acrylic gesso is very difficult to sand. If a manufacturer of a sandable acrylic gesso, but it is only intended for the panel, not canvas. It is possible to tone gesso to a particular color, but white has a store-bought gesso. Depending on the thickness of the layer of gesso layer of gesso, porous surface to draw out oil painting. Excessive or uneven gesso layers of color to the finished painting, the surface layer is not even visible from.


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