Discover the Light of Japan 429004319630
De BISAWiki
"We may possibly simply have lost our appreciation for handmade goods." Igarashi san has been making chochin paper lanterns in his small shop for his expereince of living. His father also, and his grandfatherand great grandfather and also great, great grandfather. Gear & the various tools that surround him today, in reality, have outlasted his ancestors, their wooden surfaces worn smooth with age. Since the start of the Meiji era (1868 - 1912) Kanazawa residents have already been buying Igarashi chochin from the store, in the heart of old Kanazawa's merchant center, near the back of the castle. The shelves are stacked high with beautifully decorated lanterns - lively bursts of colour peppering the dusty confines of the small workshop.
Chochin lamps have a relatively long history in Japan - there is evidence of them being used in temples in the 10th century - and were used primarily as a means of lighting. Only occasionally used inside, they customarily put outside a residence, temple or business or else in the entrance, prepared to be stopped on a and carried before everyone venturing out through the night. Igarashi-san reckons that at once they certainly were so trusted there could have been around 40 or 50 chochin retailers only in Kanazawa. In these times there remain only herself site link and one other local craftsman in the other man and the industry (Matsuda-san) has long since diversified, making old-fashioned umbrellas his principal.
Creating a chochin is just a tricky, pretty delicate treatment despite the beautifully simple appearance of the conclusion product. And, when asked what are the most crucial qualities in his career Igarashi-san responds, his brilliant eyes dead serious, "patience and concentration". The average sized lantern based on Igarashi-san, at about 30 cm across, could be produced at an interest rate of about two a day by one person including all the painting. However some truly large people have gone the Igarashi shop over the years - his biggest was a matsuri monster measuring 5 shaku (1 shaku = 30.3cm in the old Japanese measuring system) in length by having an elaborate year of the rabbit design about it. The old lantern maker is realistic about the fact that people need cheaper, mass-produced, plastic covered lamps these times - he even carries them himself - but he's confident in the data that a well-made paper lantern is just a lovely thing, remarkable in a variety of ways to these garish modern impostors.
"You can restore an excellent chochin," he tells us, "you can replace one rib or fix a hole in the report no problem." "Plastic lanterns haven't any inner frame and can not be patched." A paper lantern no matter how well-built lasts only about per year (pure beauty is definitely fleeting) although a plastic one may last twice that and cost half as much. Together with that, we as a society might have only dropped our appreciation for handmade items. Cost is now our main determination as consumers. We do not care to learn how things were made in these days, or who made them, or else Igarashisan would be the effective head of a string of stores.
The partitions of his ready-to-hand scrapbook sport and the Igarashi Chochinya numerous monochrome images and press clippings showing a happy, broad-shouldered son with strong, thick hands and an attractive grin showing off elegant paper spheres with matsuri lights glimmering in the back ground. Humbly demonstrating us them, his warm, friendly smile only slides slightly as he tells us that he'll function as the last of his family line making lanterns here.
