The Enthusiasm of Sanela Diana Jenkins

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It's tough to find good people in the world today. One look at tv and various other diana jenkings ucla human rights media would recommend that the upper classes are wholly interesteded in peering into the mirror, and are entirely lacking interest in anything outside of their own self-aggrandizement. Isn't that completion result of money? Corruption, down to the bones, and popularity is certainly no help either, as shown by truth television and the effect it has actually had on numerous individuals and households.

Don't despair, though; there are lots of redeeming examples out there, amongst them Diana Jenkins. Philanthropist, activist, entrepreneur, immigrant, refugee, and mom, Sanela Diana Jenkins has championed a host of causes for many years; at the heart of those causes is a belief in standard human decency and the value of helping those in need-- as she herself was once significantly in need.

When you consider Diana Jenkins, "foundation" is a world firmly associated with her. Having actually established the Irnis Catic Foundation, in memory of her brother, Jenkins is involved with maybe the most well-known and highly regarded Bosnian foundation. Diana Jenkins is herself from Sarajevo, and became a refugee in 1992 after war erupted between Serbs and Croats. She has frequently worked with the Elton John AIDS Foundation board of directors to raise funds to eliminate AIDS.

Just a couple of years ago, she assisted release Room 23 by Diana Jenkins and Deborah Anderson, a series of photos depicting celebrities in intimate situations in a single penthouse suite. The coffee table book, intended to be a book of art and representation, was launched to raise funds for the Sanela Diana Jenkins UCLA human rights organization SDJIHRP.

It's interesting to examine how Jenkins leverages her wealth and celebrity, along with the celebrity status of others, in an attempt to help others. It is not unjust to question the very idea of celebrity in our society; we seem to elevate others above ourselves almost since we have to, since we wish to. We desire idols to worship and then pull down, and meanwhile people expand exceptionally well-off over our ever-expanding nationwide fascination.

Why be obsessed with these people, though? They're stars and actresses, primarily. A couple of scions of affluent families, a few business owners, but nobody particularly special. Wealth attracts us, for sure; this is America, after all, and money is in our blood. More particularly, the need for wealth is, and we need to own up to that part of our nature. Yet in Sanela Diana Jenkins, we see the possibility for star to become something more.

In Jenkins, we see the that celebrity doesn't need to be about the red carpet and wardrobe malfunctions; it does not have to have to do with who is dating whom, or how much so-and-so considers now. That's a sideshow, an additional sign of the decline of our civilization. In Jenkins, we see celebrity that is made through assisting others relentlessly, celebrity that does not mind capitalizing on others if it is to the advantage of those less lucky. We see a celebrity that is noble.

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