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Fashion and Beauty - A Historical Perspective

clothing - More than 40 000 years ago the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to protect their own health in the elements in order to provide covering for modesty's sake, came later. Individuals of northern Europe probably first slung animal skins around themselves as defense against the cold within 25000 BC. Inside the Mediterranean and Middle East, fibers from plants such as flax, and also the hair of goats and sheep, were woven to make lightweight fabrics that not only afforded protection from the Sun's rays but additionally signified social status. The initial of these textiles, produced in Anatolia in Turkey, date to around 6500 BC.

beauty - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe and the East wore stitched, tubular garments. In the classical world the toga, worn not merely by rulers but also by philosophers and teachers, was regarded as symbolic of civilization. Breeches and tunics, by contrast, were considered conventional barbarian, tribal societies.

cosmetics - But the concept of fashion, having its ever changing cycles of styles and trends, first became predominant within the mid 1300 in Paris, London and the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to demonstrate the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons as well as the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged towards the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the easy Empire gown. Style became a mark of person freedom, adopted because of its own sake. Will no longer used by from the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.

In the uk affordable, mass-produced printed textiles and finishing touches were made available through the Industrial Revolution. We were holding popular with the middle classes, who saw them as a method of expressing their new confidence and success. For males power now lay running a business, not a legal court. The dark suit was a male 'uniform', while women paraded the household's status through their particular in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.

Inside the late 1800s attempts began to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with malls offering ready-made copies from the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. Readily available beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.