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Fashion and wonder - A Historical Perspective

dresses - More than 40 000 years ago the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their health from the elements or to provide covering for modesty's sake, came much later. The folks of northern Europe probably first slung animal skins around themselves as protection from the cold within 25000 BC. Within the Mediterranean and Middle East, fibers from plants including flax, and also the hair of goats and sheep, were woven to create lightweight fabrics that doesn't only afforded protection up against the Sunshine but also signified social status. The first of these textiles, produced in Anatolia in Turkey, date about 6500 BC.

Fashionista - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe and also the East wore stitched, tubular garments. Inside the classical world the toga, worn not just by rulers but also by philosophers and teachers, was viewed as a symbol of civilization. Breeches and tunics, by contrast, were considered typical of barbarian, tribal societies.

hair - Nevertheless the notion of fashion, having its ever changing cycles of styles and trends, first became predominant within the mid 1300 in Paris, London and the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the latest tastes. Men's robes, which in fact had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and the introduction with the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged to the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. However the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style was a mark of person freedom, adopted for its own sake. No more the preserve from the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.

In Britain affordable, mass-produced printed textiles and products were created available from the Industrial Revolution. These were favored by the center classes, who saw them as a way of expressing their new confidence and success. For men power now lay in business, not a legal court. The dark suit became a male 'uniform', while women paraded the family's status through their own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats in addition to their mobility restricted by delicate shoes.

Inside the late 1800s attempts begun to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with malls offering ready-made copies with the newest styles featured in magazines, society photographs and, in the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.