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Fashion and sweetness - A Historical Perspective

Fashionista - A lot more than 40 000 years ago the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their own health from the elements in order to provide covering for modesty's sake, came later. The people of northern Europe probably first slung animal skins around themselves as protection from the cold in about 25000 BC. Inside the Mediterranean and Middle East, fibers from plants for example flax, and the hair of goats and sheep, were woven to make lightweight fabrics that not only afforded protection up against the Rays of the sun but also signified social status. The earliest of such textiles, manufactured in Anatolia in Turkey, date to around 6500 BC.

makeup - As civilizations developed, so types of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe and also the East wore stitched, tubular garments. Inside the classical world the toga, worn not only by rulers but also by philosophers and teachers, was thought to be symbolic of civilization. Breeches and tunics, by comparison, were considered conventional barbarian, tribal societies.

clothing - However the idea of fashion, with its ever-changing cycles of styles and trends, first took hold in the mid 1300 in Paris, London and also the Italian city-states, once the elite rejected their flowing garments for tight-fitting clothes decorated to show the most recent tastes. Men's robes, which in fact had previously been ankle-length, now reached above the knee, while female dress was transformed by lacing, buttons and the introduction of the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided having a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged towards the elite, who attemptedto preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, with different fixed social hierarchy and courtly etiquette, was overturned by the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes weren't any longer embellished with embroidery and lace, and ladies adopted the simple Empire gown. Style had been a mark of human freedom, adopted for the own sake. No more used by with the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.

In great britan affordable, mass-produced printed textiles and products were made available by the Industrial Revolution. We were holding favored by the guts classes, who saw them as a method of expressing their new confidence and success. For men power now lay running a business, not the court. The dark suit was a male 'uniform', while women paraded the family's status through their own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.

Inside the late 1800s attempts begun to make female dress more 'sensible'. But beliefs in fashion and beauty held sway, with department stores offering ready-made copies of the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.