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Fashion and wonder - A Historical Perspective

models - A lot more than 40 000 in years past the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to protect their own health from the elements or to provide covering for modesty's sake, came much later. Individuals of northern Europe probably first slung animal skins around themselves as defense against the cold within 25000 BC. In the Mediterranean and Middle East, fibers from plants including flax, and also the hair of goats and sheep, were woven to create lightweight fabrics that not only afforded protection against the Sun's rays but additionally signified social status. The initial of these textiles, manufactured in Anatolia in Turkey, date to around 6500 BC.

Fashion - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe and the East wore stitched, tubular garments. Within the classical world the toga, worn not merely by rulers but additionally by philosophers and teachers, was viewed as symbolic of civilization. Breeches and tunics, by contrast, were considered usual for barbarian, tribal societies.

makeup - However the idea of fashion, having its ever changing cycles of styles and trends, first took hold within the mid 1300 in Paris, London and the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to show the latest tastes. Men's robes, which had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and also the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged for the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned by the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style became a mark of individual freedom, adopted because of its own sake. No more the preserve with the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.

In Britain affordable, mass-produced printed textiles and fashion accessories were created available from the Industrial Revolution. We were holding popular with the guts classes, who saw them as a means of expressing their new confidence and success. For men power now lay in business, not legal court. The dark suit was a male 'uniform', while women paraded the household's status through their very own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were overwhelmed by petticoats in addition to their mobility restricted by delicate shoes.

In the late 1800s attempts started to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with department stores offering ready-made copies with the newest styles featured in magazines, society photographs and, in the early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.