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Fashion and sweetness - A Historical Perspective

models - More than 40 000 years back the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their health from the elements or provide covering for modesty's sake, came later. The people of northern Europe probably first slung animal skins around themselves as defense against the cold in about 25000 BC. In the Mediterranean and Middle East, fibers from plants including flax, and also the hair of goats and sheep, were woven to make lightweight fabrics that does not only afforded protection up against the Rays of the sun but additionally signified social status. The earliest of such textiles, produced in Anatolia in Turkey, date to about 6500 BC.

models - As civilizations developed, so types of dress also evolved. In Egypt, Greece and Rome, clothes were draped, while the people of northern Europe and the East wore stitched, tubular garments. In the classical world the toga, worn not merely by rulers but also by philosophers and teachers, was regarded as a symbol of civilization. Breeches and tunics, by comparison, were considered conventional barbarian, tribal societies.

style - Nevertheless the idea of fashion, using its ever-changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London as well as the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to demonstrate the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached above the knee, while female dress was transformed by lacing, buttons as well as the introduction of the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged towards the elite, who attemptedto preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and some women adopted the straightforward Empire gown. Style was a mark of individual freedom, adopted for the own sake. No more used by from the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.

In great britan affordable, mass-produced printed textiles and fashion accessories were made available from the Industrial Revolution. These were popular with the guts classes, who saw them as a means of expressing their new confidence and success. For men power now lay in operation, not legal court. The dark suit became a male 'uniform', while women paraded the family's status through their particular and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats in addition to their mobility restricted by delicate shoes.

In the late 1800s attempts began to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with shops offering ready-made copies from the newest styles featured in gossip columns, society photographs and, in the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.