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Fashion and sweetness - A Historical Perspective

style - Greater than 40 000 in years past the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their bodies from the elements or provide covering for modesty's sake, came much later. The folks of northern Europe probably first slung animal skins around themselves as protection from the cold in about 25000 BC. Inside the Mediterranean and Middle East, fibers from plants such as flax, and the hair of goats and sheep, were woven to make lightweight fabrics that doesn't only afforded protection against the Rays of the sun but also signified social status. The first of such textiles, made in Anatolia in Turkey, date to around 6500 BC.

dresses - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe as well as the East wore stitched, tubular garments. Inside the classical world the toga, worn not just by rulers but also by philosophers and teachers, was thought to be synonymous with civilization. Breeches and tunics, in comparison, were considered usual for barbarian, tribal societies.

clothing - However the idea of fashion, with its ever changing cycles of styles and trends, first took hold within the mid 1300 in Paris, London and the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the most recent tastes. Men's robes, that have previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and also the introduction from the décolletage. As people desired to change their silhouettes at regular intervals - a trend that coincided using a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged for the elite, who attemptedto preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. Nevertheless the French code of dressing, with different fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style was a mark of person freedom, adopted for the own sake. Will no longer the preserve from the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.

In the uk affordable, mass-produced printed textiles and finishing touches were made available through the Industrial Revolution. They were popular with the middle classes, who saw them as a method of expressing their new confidence and success. For men power now lay running a business, not the court. The dark suit became a male 'uniform', while women paraded the family's status through their own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.

Within the late 1800s attempts began to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with department stores offering ready-made copies with the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.