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Fashion and wonder - A Historical Perspective

hair - More than 40 000 in years past the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to protect their own health in the elements or to provide covering for modesty's sake, came much later. The folks of northern Europe probably first slung animal skins around themselves as protection from the cold in about 25000 BC. Within the Mediterranean and Middle East, fibers from plants including flax, and the hair of goats and sheep, were woven to form lightweight fabrics that doesn't only afforded protection against the Sunshine but in addition signified social status. The initial of these textiles, manufactured in Anatolia in Turkey, date to about 6500 BC.

models - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe and the East wore stitched, tubular garments. In the classical world the toga, worn not only by rulers but also by philosophers and teachers, was thought to be symbolic of civilization. Breeches and tunics, by comparison, were considered usual for barbarian, tribal societies.

hair - But the idea of fashion, with its ever-changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London as well as the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the latest tastes. Men's robes, which in fact had previously been ankle-length, now reached over the knee, while female dress was transformed by lacing, buttons as well as the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided using a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged towards the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, with different fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes weren't any longer embellished with embroidery and lace, and ladies adopted the simple Empire gown. Style was a mark of person freedom, adopted for the own sake. No longer the preserve of the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.

In Britain affordable, mass-produced printed textiles and fashion accessories were made available from the Industrial Revolution. They were favored by the middle classes, who saw them as a means of expressing their new confidence and success. For guys power now lay in business, not the court. The dark suit was a male 'uniform', while women paraded the household's status through their very own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats and their mobility restricted by delicate shoes.

Within the late 1800s attempts started to make female dress more 'sensible'. But beliefs in fashion and beauty held sway, with department stores offering ready-made copies of the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and beauty industries were launched.