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Fashion and sweetness - A Historical Perspective

clothing - More than 40 000 years ago the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their bodies from the elements in order to provide covering for modesty's sake, came later. Individuals of northern Europe probably first slung animal skins around themselves as protection from the cold in about 25000 BC. Inside the Mediterranean and Middle East, fibers from plants such as flax, as well as the hair of goats and sheep, were woven to create lightweight fabrics that not only afforded protection from the Rays of the sun but in addition signified social status. The earliest of these textiles, produced in Anatolia in Turkey, date about 6500 BC.

Fashionista - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe and the East wore stitched, tubular garments. In the classical world the toga, worn not merely by rulers but also by philosophers and teachers, was thought to be a symbol of civilization. Breeches and tunics, in comparison, were considered typical of barbarian, tribal societies.

dresses - Nevertheless the idea of fashion, having its ever-changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London and the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the newest tastes. Men's robes, which had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and also the introduction with the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged towards the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and ladies adopted the simple Empire gown. Style was a mark of human freedom, adopted because of its own sake. No longer used by with the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.

In the uk affordable, mass-produced printed textiles and fashion accessories were made available through the Industrial Revolution. We were holding well-liked by the center classes, who saw them as a way of expressing their new confidence and success. For males power now lay in operation, not a legal court. The dark suit was a male 'uniform', while women paraded the household's status through their very own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were overwhelmed by petticoats and their mobility restricted by delicate shoes.

Inside the late 1800s attempts began to make female dress more 'sensible'. But beliefs in fashion and beauty held sway, with shops offering ready-made copies from the newest styles featured in gossip columns, society photographs and, in the early 1900s, the cinema. Readily available beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.