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Fashion and sweetness - A Historical Perspective

clothing - More than 40 000 years ago the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their bodies from the elements or to provide covering for modesty's sake, came later. Individuals of northern Europe probably first slung animal skins around themselves as protection from the cold in about 25000 BC. Within the Mediterranean and Middle East, fibers from plants including flax, and also the hair of goats and sheep, were woven to form lightweight fabrics that does not only afforded protection up against the Rays of the sun but in addition signified social status. The earliest of such textiles, produced in Anatolia in Turkey, date to about 6500 BC.

models - As civilizations developed, so types of dress also evolved. In Egypt, Greece and Rome, clothes were draped, while the people of northern Europe and the East wore stitched, tubular garments. In the classical world the toga, worn not just by rulers but in addition by philosophers and teachers, was viewed as symbolic of civilization. Breeches and tunics, in comparison, were considered conventional barbarian, tribal societies.

dresses - But the notion of fashion, having its ever-changing cycles of styles and trends, first took hold in the mid 1300 in Paris, London and the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to show the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged for the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. However the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style had been a mark of individual freedom, adopted for the own sake. No longer used by with the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.

In the uk affordable, mass-produced printed textiles and finishing touches were created available from the Industrial Revolution. They were favored by the guts classes, who saw them as a method of expressing their new confidence and success. For guys power now lay running a business, not legal court. The dark suit had been a male 'uniform', while women paraded the household's status through their own and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.

Inside the late 1800s attempts started to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with department stores offering ready-made copies from the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. Readily available beginnings the consumer-orientated 20th-century fashion and beauty industries were launched.