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Fashion and Beauty - A Historical Perspective
dresses - Greater than 40 000 years back the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their own health in the elements or to provide covering for modesty's sake, came much later. Individuals of northern Europe probably first slung animal skins around themselves as defense against the cold in approximately 25000 BC. Within the Mediterranean and Middle East, fibers from plants such as flax, as well as the hair of goats and sheep, were woven to create lightweight fabrics that not only afforded protection up against the Sunshine but in addition signified social status. The earliest of those textiles, manufactured in Anatolia in Turkey, date about 6500 BC.
beauty - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe and the East wore stitched, tubular garments. Within the classical world the toga, worn not merely by rulers but in addition by philosophers and teachers, was thought to be synonymous with civilization. Breeches and tunics, by comparison, were considered typical of barbarian, tribal societies.
cosmetics - Nevertheless the notion of fashion, using its ever-changing cycles of styles and trends, first took hold within the mid 1300 in Paris, London and also the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to show the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached above the knee, while female dress was transformed by lacing, buttons as well as the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged towards the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. Nevertheless the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes weren't any longer embellished with embroidery and lace, and some women adopted the simple Empire gown. Style was a mark of person freedom, adopted for the own sake. No longer used by of the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.
In Britain affordable, mass-produced printed textiles and finishing touches were made available from the Industrial Revolution. These were well-liked by the guts classes, who saw them as a way of expressing their new confidence and success. For guys power now lay in business, not legal court. The dark suit had been a male 'uniform', while women paraded the family's status through their very own and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.
Within the late 1800s attempts begun to make female dress more 'sensible'. But ideals of fashion and beauty held sway, with shops offering ready-made copies with the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. Readily available beginnings the consumer-orientated 20th-century fashion and beauty industries were launched.