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Fashion and wonder - A Historical Perspective

style - More than 40 000 years back the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to protect their health in the elements in order to provide covering for modesty's sake, came later. The folks of northern Europe probably first slung animal skins around themselves as defense against the cold in approximately 25000 BC. Within the Mediterranean and Middle East, fibers from plants such as flax, as well as the hair of goats and sheep, were woven to make lightweight fabrics that not only afforded protection from the Sunshine but in addition signified social status. The first of these textiles, produced in Anatolia in Turkey, date about 6500 BC.

dresses - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe and the East wore stitched, tubular garments. Within the classical world the toga, worn not only by rulers but also by philosophers and teachers, was viewed as a symbol of civilization. Breeches and tunics, by contrast, were considered typical of barbarian, tribal societies.

cosmetics - However the concept of fashion, having its ever-changing cycles of styles and trends, first took hold in the mid 1300 in Paris, London and also the Italian city-states, if the elite rejected their flowing garments for tight-fitting clothes decorated to show the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons as well as the introduction with the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided having a growing international textiles trade - so cutting and tailoring developed.

Early fashion belonged for the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the simple Empire gown. Style was a mark of individual freedom, adopted for its own sake. No more the preserve with the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.

In great britan affordable, mass-produced printed textiles and finishing touches were made available by the Industrial Revolution. We were holding well-liked by the center classes, who saw them as a way of expressing their new confidence and success. For men power now lay running a business, not a legal court. The dark suit had been a male 'uniform', while women paraded the family's status through their particular and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats as well as their mobility restricted by delicate shoes.

Within the late 1800s attempts started to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with department stores offering ready-made copies of the newest styles featured in gossip columns, society photographs and, from your early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.