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Fashion and Beauty - A Historical Perspective
beauty - More than 40 000 years back the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their bodies in the elements or to provide covering for modesty's sake, came later. The folks of northern Europe probably first slung animal skins around themselves as protection from the cold in approximately 25000 BC. Inside the Mediterranean and Middle East, fibers from plants such as flax, and also the hair of goats and sheep, were woven to make lightweight fabrics that not only afforded protection against the Sun's rays but also signified social status. The earliest of such textiles, manufactured in Anatolia in Turkey, date to about 6500 BC.
cosmetics - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe and also the East wore stitched, tubular garments. In the classical world the toga, worn not merely by rulers but also by philosophers and teachers, was viewed as synonymous with civilization. Breeches and tunics, in comparison, were considered usual for barbarian, tribal societies.
Fashion - However the concept of fashion, having its ever-changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London and also the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to show the latest tastes. Men's robes, that have previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and the introduction from the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged for the elite, who attemptedto preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. Nevertheless the French code of dressing, with different fixed social hierarchy and courtly etiquette, was overturned by the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the simple Empire gown. Style had been a mark of individual freedom, adopted for its own sake. No longer the preserve of the aristocracy, it soon became from the avant-garde, Romantic writers and artists, political activists and dandies.
In Britain affordable, mass-produced printed textiles and finishing touches were made available by the Industrial Revolution. We were holding well-liked by the center classes, who saw them as a means of expressing their new confidence and success. For males power now lay in business, not legal court. The dark suit became a male 'uniform', while women paraded the family's status through their very own as well as their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats in addition to their mobility restricted by delicate shoes.
Within the late 1800s attempts began to make female dress more 'sensible'. But beliefs in fashion and beauty held sway, with malls offering ready-made copies of the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.
