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Fashion and Beauty - A Historical Perspective
dresses - A lot more than 40 000 years back the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their health in the elements or to provide covering for modesty's sake, came later. The people of northern Europe probably first slung animal skins around themselves as defense against the cold in approximately 25000 BC. In the Mediterranean and Middle East, fibers from plants for example flax, as well as the hair of goats and sheep, were woven to form lightweight fabrics that doesn't only afforded protection up against the Sunshine but also signified social status. The earliest of these textiles, manufactured in Anatolia in Turkey, date to about 6500 BC.
models - As civilizations developed, so types of dress also evolved. In Egypt, Greece and Rome, clothes were draped, as the people of northern Europe and also the East wore stitched, tubular garments. In the classical world the toga, worn not merely by rulers but additionally by philosophers and teachers, was regarded as synonymous with civilization. Breeches and tunics, by comparison, were considered typical of barbarian, tribal societies.
Fashion - Nevertheless the concept of fashion, with its ever-changing cycles of styles and trends, first became predominant inside the mid 1300 in Paris, London as well as the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the latest tastes. Men's robes, that have previously been ankle-length, now reached over the knee, while female dress was transformed by lacing, buttons and the introduction with the décolletage. As people wished to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged to the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, based on a fixed social hierarchy and courtly etiquette, was overturned by the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style became a mark of individual freedom, adopted for its own sake. Will no longer used by from the aristocracy, it soon became from the avant-garde, Romantic writers and artists, political activists and dandies.
In the uk affordable, mass-produced printed textiles and products were created available through the Industrial Revolution. These were well-liked by the middle classes, who saw them as a means of expressing their new confidence and success. For men power now lay in business, not a legal court. The dark suit was a male 'uniform', while women paraded the household's status through their very own in addition to their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats and their mobility restricted by delicate shoes.
Within the late 1800s attempts began to make female dress more 'sensible'. But ideals of fashion and beauty held sway, with department stores offering ready-made copies with the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.
