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Fashion and sweetness - A Historical Perspective
cosmetics - More than 40 000 years ago the inhabitants of The european union adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their own health from the elements or provide covering for modesty's sake, came much later. The people of northern Europe probably first slung animal skins around themselves as protection from the cold in approximately 25000 BC. Within the Mediterranean and Middle East, fibers from plants including flax, as well as the hair of goats and sheep, were woven to form lightweight fabrics that not only afforded protection from the Rays of the sun but additionally signified social status. The initial of those textiles, made in Anatolia in Turkey, date to about 6500 BC.
hair - As civilizations developed, so varieties of dress also evolved. In Egypt, Greece and Rome, clothes were draped, while the people of northern Europe and the East wore stitched, tubular garments. Inside the classical world the toga, worn not just by rulers but also by philosophers and teachers, was thought to be symbolic of civilization. Breeches and tunics, in comparison, were considered usual for barbarian, tribal societies.
beauty - But the concept of fashion, with its ever-changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London and also the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to demonstrate the newest tastes. Men's robes, which had previously been ankle-length, now reached above the knee, while female dress was transformed by lacing, buttons as well as the introduction of the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided having a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged for the elite, who tried to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. However the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes weren't any longer embellished with embroidery and lace, and women adopted the easy Empire gown. Style was a mark of human freedom, adopted for its own sake. Will no longer the preserve of the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.
In great britan affordable, mass-produced printed textiles and products were created available by the Industrial Revolution. They were well-liked by the guts classes, who saw them as a way of expressing their new confidence and success. For men power now lay in business, not legal court. The dark suit became a male 'uniform', while women paraded the household's status through their very own and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats in addition to their mobility restricted by delicate shoes.
Inside the late 1800s attempts begun to make female dress more 'sensible'. But beliefs in fashion and beauty held sway, with shops offering ready-made copies from the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.
