DesmondClare668
De BISAWiki
Fashion and sweetness - A Historical Perspective
makeup - Greater than 40 000 in years past the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to protect their health in the elements in order to provide covering for modesty's sake, came much later. The people of northern Europe probably first slung animal skins around themselves as defense against the cold within 25000 BC. Within the Mediterranean and Middle East, fibers from plants such as flax, and also the hair of goats and sheep, were woven to create lightweight fabrics that doesn't only afforded protection up against the Sunshine but additionally signified social status. The initial of those textiles, produced in Anatolia in Turkey, date to around 6500 BC.
makeup - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe as well as the East wore stitched, tubular garments. In the classical world the toga, worn not just by rulers but also by philosophers and teachers, was thought to be symbolic of civilization. Breeches and tunics, by comparison, were considered typical of barbarian, tribal societies.
Fashionista - However the concept of fashion, using its ever changing cycles of styles and trends, first took hold inside the mid 1300 in Paris, London and also the Italian city-states, once the elite rejected their flowing garments for tight-fitting clothes decorated to exhibit the newest tastes. Men's robes, which in fact had previously been ankle-length, now reached over the knee, while female dress was transformed by lacing, buttons as well as the introduction of the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided with a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged to the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. However the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned by the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and some women adopted the easy Empire gown. Style was a mark of person freedom, adopted for its own sake. Will no longer the preserve of the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.
In Britain affordable, mass-produced printed textiles and finishing touches were made available by the Industrial Revolution. These were popular with the center classes, who saw them as a way of expressing their new confidence and success. For men power now lay in business, not legal court. The dark suit had been a male 'uniform', while women paraded the household's status through their particular as well as their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats and their mobility restricted by delicate shoes.
Inside the late 1800s attempts begun to make female dress more 'sensible'. But ideals of fashion and beauty held sway, with malls offering ready-made copies of the newest styles featured in magazines, society photographs and, from the early 1900s, the cinema. From all of these beginnings the consumer-orientated 20th-century fashion and sweetness industries were launched.
