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Fashion and sweetness - A Historical Perspective
clothing - A lot more than 40 000 in years past the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to safeguard their health in the elements in order to provide covering for modesty's sake, came later. The folks of northern Europe probably first slung animal skins around themselves as defense against the cold in about 25000 BC. In the Mediterranean and Middle East, fibers from plants for example flax, and also the hair of goats and sheep, were woven to make lightweight fabrics that not only afforded protection against the Sunshine but additionally signified social status. The first of these textiles, manufactured in Anatolia in Turkey, date to around 6500 BC.
clothing - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe as well as the East wore stitched, tubular garments. Within the classical world the toga, worn not only by rulers but also by philosophers and teachers, was thought to be synonymous with civilization. Breeches and tunics, by contrast, were considered conventional barbarian, tribal societies.
hair - Nevertheless the notion of fashion, having its ever changing cycles of styles and trends, first took hold in the mid 1300 in Paris, London as well as the Italian city-states, once the elite rejected their flowing garments for tight-fitting clothes decorated to demonstrate the most recent tastes. Men's robes, that have previously been ankle-length, now reached over the knee, while female dress was transformed by lacing, buttons and the introduction with the décolletage. As people desired to change their silhouettes at regular intervals - a trend that coincided using a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged to the elite, who attemptedto preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned from the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and women adopted the straightforward Empire gown. Style was a mark of person freedom, adopted for its own sake. Will no longer the preserve from the aristocracy, it soon became linked to the avant-garde, Romantic writers and artists, political activists and dandies.
In Britain affordable, mass-produced printed textiles and finishing touches were created available by the Industrial Revolution. They were well-liked by the guts classes, who saw them as a means of expressing their new confidence and success. For men power now lay in business, not a legal court. The dark suit was a male 'uniform', while women paraded the household's status through their own and their children's dress. Fashion and femininity were inextricably entwined. Women were overwhelmed by petticoats as well as their mobility restricted by delicate shoes.
In the late 1800s attempts began to make female dress more 'sensible'. But ideals of fashion and beauty held sway, with malls offering ready-made copies with the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. Readily available beginnings the consumer-orientated 20th-century fashion and beauty industries were launched.
