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Fashion and sweetness - A Historical Perspective
beauty - More than 40 000 in years past the inhabitants of Western Europe adorned themselves with jewelry of ivory and bone. Clothes, worn to guard their own health from your elements in order to provide covering for modesty's sake, came later. Individuals of northern Europe probably first slung animal skins around themselves as defense against the cold in about 25000 BC. In the Mediterranean and Middle East, fibers from plants such as flax, and also the hair of goats and sheep, were woven to form lightweight fabrics that not only afforded protection from the Rays of the sun but in addition signified social status. The earliest of those textiles, produced in Anatolia in Turkey, date about 6500 BC.
cosmetics - As civilizations developed, so styles of dress also evolved. In Egypt, Greece and Rome, clothes were draped, even though the people of northern Europe as well as the East wore stitched, tubular garments. Inside the classical world the toga, worn not just by rulers but in addition by philosophers and teachers, was thought to be synonymous with civilization. Breeches and tunics, by comparison, were considered conventional barbarian, tribal societies.
makeup - But the idea of fashion, using its ever changing cycles of styles and trends, first took hold within the mid 1300 in Paris, London as well as the Italian city-states, when the elite rejected their flowing garments for tight-fitting clothes decorated to show the latest tastes. Men's robes, which in fact had previously been ankle-length, now reached across the knee, while female dress was transformed by lacing, buttons and also the introduction with the décolletage. As people planned to change their silhouettes at regular intervals - a trend that coincided using a growing international textiles trade - so cutting and tailoring developed.
Early fashion belonged towards the elite, who attempted to preserve their social superiority with 'sumptuary laws' forbidding tradesmen and yeomen from wearing expensive and lavishly embroidered fabrics. But the French code of dressing, using a fixed social hierarchy and courtly etiquette, was overturned through the Revolution of 1789. Elaborate wigs and powdered hair were abandoned, men's clothes were no longer embellished with embroidery and lace, and some women adopted the easy Empire gown. Style became a mark of human freedom, adopted for the own sake. No more the preserve of the aristocracy, it soon became associated with the avant-garde, Romantic writers and artists, political activists and dandies.
In great britan affordable, mass-produced printed textiles and fashion accessories were made available from the Industrial Revolution. These were favored by the middle classes, who saw them as a method of expressing their new confidence and success. For males power now lay running a business, not a legal court. The dark suit had been a male 'uniform', while women paraded the family's status through their particular and their children's dress. Fashion and femininity were inextricably entwined. Women were weighed down by petticoats in addition to their mobility restricted by delicate shoes.
Within the late 1800s attempts began to make female dress more 'sensible'. But beliefs in beauty and fashion held sway, with shops offering ready-made copies of the newest styles featured in gossip columns, society photographs and, from the early 1900s, the cinema. From these beginnings the consumer-orientated 20th-century fashion and wonder industries were launched.
